Demento radio show, particularly "Benzedrine", which was included on the 1975 compilation album Dr. By the 1970s, he was playing hard rock, blues, bop, novelty songs and a few songs that mixed ragtime with rock and roll. In the 1960s, when Gibson saw the success of the Beatles, he switched to rock and roll. He spent time in Miami during the 1950s, and before Christmas 1956 appeared at the Ball & Chain nightclub in Miami on the same bill with Billie Holiday. His own drug use led to his decline, and with the rising popularity of young rock-and-roll musicians among teenagers in the 1950s, older musicians were not in demand.
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Although his mainstream movie appearance in Junior Prom was released that year, it could not overcome the notoriety of the "Benzedrine" record. Tao stations across America refused to play it, and he was blacklisted in the music industry. Murphy's Ovaltine?", released in January 1946. He recorded "Who Put the Benzedrine in Mrs. The photo also shows two of Gibson's other haunts, The Three Deuces and Leon and Eddie's. "Harry the Hipster" headlining at the Onyx on 52nd Street, May 1948. In his autobiography, he claimed he coined the term hipster between 19 when he was performing on Swing Street, and he started using "Harry the Hipster" as his stage name. His song "I Stay Brown All Year Round" is based on this. He grew up near Harlem in New York City, and his constant use of black jive talk was not an affectation it was something he picked up from his fellow musicians. Like Mezz Mezzrow, Gibson consciously abandoned his ethnicity to adopt black music and culture. While working on "Swing Street" at night, he was a fellow at the Juilliard Graduate School during the day. Gibson's wild-man theatrics belied the fact that he was also a highly trained classical musician. He preceded white rock-and-rollers by a decade: the Soundies he recorded are similar to Jerry Lee Lewis's raucous piano numbers of the 1950s. In 1944, he filmed three songs in New York for the Soundies film jukeboxes, and he went to Hollywood in 1946 to appear as himself in the feature-length film musical Junior Prom. Gibson recorded often, but there are very few visual examples of his work. An example of his strange singing style is "The Baby and the Pup." Other songs that he recorded were "Handsome Harry, the Hipster", "I Stay Brown All Year 'Round", "Get Your Juices at the Deuces", and "Stop That Dancin' Up There." Examples of his wild style are found in "Riot in Boogie" and "Barrelhouse Boogie". He took the boogie woogie beat of his predecessors, but he made it frantic, similar to the rock and roll music of the 1950s. He was also known for his unique, wild singing style, his energetic and unorthodox piano styles, and his intricate mixture of hardcore, gutbucket boogie rhythms with ragtime, stride and jazz piano styles. In the 1940s, he was known for writing unusual songs considered ahead of their time. In the 1930s, after Prohibition ended, Gibson played regularly in Harlem nightclubs. He was invited into black speakeasies in Harlem to play piano while still a teenager. He began playing boogie woogie and talking in a jive style.
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His first professional piano gig was at age 13 with his uncle's orchestra. He began playing piano in the 1920s as a child, in the Bronx and Harlem. He came from a musical family that operated a player piano repair shop.
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